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Irina Mashinski //
//Ирина Машинская
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The Los Angeles Review of Books (on THE NAKED WORLD):
Mashinski seeks liberating oblivion in a space that neither cares about nor notices her presence. The “A-merica” of Mashinski’s...
Irina Mashinski
LanguageHat (on THE NAKED WORLD):
That’s real poet’s prose — “the quiet craziness of the old ladies’ glasses, crisscrossed by telegraph cables and a few birds” — and I...
Воздух/Vozdukh (on GIORNATA):
Giornata is a successful, cohesive three-dimensional product formed at the intersection of three subsets along the x-axis— the minds and...
On the Seawall (on GIORNATA):
Beyond the intellectual, emotional, and even psychotherapeutic ways of processing grief, Mashinki offers us a physiological one. <..> In...
Restless Messengers (on THE NAKED WORLD):
The Naked World is an extraordinary reflection on the impact of history and culture(s) on individuals in a family across generations,...
Unlikely Stories (on THE NAKED WORLD):
This gorgeous ambitious text<..> settles us—and unsettles us—behind the eyes of a poet, a poet whose eyes are pierced by brilliant images...
Punctured Lines (on THE NAKED WORLD):
Irina Mashinski’s The Naked World <..> is an impressive achievement in the hybrid genre. <It> illuminates not only the author’s past...
Shepherd (on THE NAKED WORLD):
Part poetry, part flash fiction; part memoir, part imagination; part history, part fantasy. The Naked World is like a dream, images, and...
World Literature Today (on THE NAKED WORLD):
Mashinski's memoir is magical.
London Grip (on THE NAKED WORLD):
Luminous prose and poetry. <..> This is poetic prose at its best.
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